ANNOTATED BIBLIOGRAPHY RHUL

They are assessed on solo performances and group pieces. Aerial Choreographer for Paralympic Opening Ceremony: It is a short term contract. I have also been a visiting artist for specialist training in Applied Theatre and the final year students. Working closely with Artistic Directors Jenny Sealey and Bradley Hemmings and Aerial Consultant Phil Hayes I ran the daily aerial rehearsals, devising sequences that were then incorporated into the ceremony. Department of Drama, Theatre and Dance. I was fortunate enough to be offered a fantastic role as part of the POC for London

University of Kent at Canterbury: Drama, Theatre and Dance home. As a professional aerialist working extensively with disabled performers, the research draws on my practice and direct correspondence with other disabled and non-disabled practitioners. I had a fabulous spring and summer of starting off as one of four full-time trainers working with the ‘disabled aerialists’ who would perform in the POC Working closely with Artistic Directors Jenny Sealey and Bradley Hemmings and Aerial Consultant Phil Hayes I ran the daily aerial rehearsals, devising sequences that were then incorporated into the ceremony.

Drama, Theatre and Dance home. Canterbury Christ Church University: I have also been a visiting artist for specialist training in Applied Theatre and the final year students.

  HOMEWORK HELPSTER GRADE 5

annotated bibliography rhul

As a professional aerialist working extensively with disabled performers, the research draws on my practice and direct correspondence with other disabled and non-disabled practitioners. Affiliations I am a full member of Equity.

It is frequently but not exclusively associated with the circus and throughout its history has been dominated by non-disabled performers.

annotated bibliography rhul

Find an expert Search for annotateed I bigliography fortunate enough to be offered a fantastic role as part of the POC for London Historical and cultural perspectives of aerial are drawn from the few academic experts in the field, notably Paul Bouissac, Steve Gossard and Peta Tait; disability perspectives are guided by a wealth of theorists including Erving Goffman, P.

It is a short term contract. My aerial courses run in Whitstable and Faversham in Kent. Aerial Choreographer for Paralympic Opening Ceremony: I was invited to run the Repertoire Module in and return again inoffering the students a taste of aerial dance for the first time in the degree’s history.

Ms Katrina Carter – Research – Royal Holloway, University of London

PhD Thesis Suspending Conventions: Increasing numbers of disabled artists are however, now engaging with aerial. A very proud time for sure.

annotated bibliography rhul

Department of Drama, Theatre and Dance. I had a fabulous spring and summer of starting off as one of four full-time trainers working with the ‘disabled aerialists’ who would perform in the POC University of Kent at Canterbury: It features two case studies in which I was bibliographhy choreographer and trainer: They are assessed on solo performances and group pieces.

  M TECH THESIS RGPV

E15 Acting School, Southend Campus: I have been teaching aerial on the Physical Theatre BA since it rnul in Abstract Aerial ism is the art of suspended movement, generated by aerialists working with equipment such as trapezes, ropes and harnesses.

The role involves running a symposium; compiling an annotated bibliography; managing promotion and website for the project; conducting interviews and observations of academics and artists utilising participatory research and learning in their work.

Working closely with Artistic Directors Jenny Sealey and Rbul Hemmings and Aerial Consultant Phil Hayes I ran the daily aerial rehearsals, devising sequences that were then incorporated into the ceremony. Ms Katrina Carter Former.